Langston Hughes' composition, Bop, is solely a discussion involving the narrator along with the identity named Simple (apparently a father plus a boy since Straightforward describes the narrator as Dad-” (1)). Fellow Harlem Renaissance writer Van Vechten named Hughes the Poet Laureate of Harlem.” He published prolifically in a number of types but is probably most generally valued for his powerful and impressive punk-inspired composition. Hughes integrated the tempo and disposition of blues music into his work and used colloquial language to replicate dark National lifestyle.
Throughout the 1930s Hughes became increasingly involved with the political Left in the Usa. A figure of the Harlem Renaissance, an interval through the 1920s of unparalleled intelligent and artistic achievement among black Americans, Hughes committed his profession to representing working's urban experience blacks.
Fellow Harlem Renaissance author Van Vechten termed Hughes the Poet Laureate of Harlem.” He published prolifically in many different types but is perhaps most widely recalled for his revolutionary and influential jazz-inspired composition. Hughes used colloquial vocabulary to echo dark National culture and integrated the beat and mood of bebop and blues audio into his work.